{"id":3409,"date":"2024-05-23T14:33:18","date_gmt":"2024-05-23T21:33:18","guid":{"rendered":"https:\/\/scs-theatre.com\/?p=3409"},"modified":"2026-09-07T11:11:24","modified_gmt":"2026-09-07T18:11:24","slug":"theatre-tips-hints-to-become-a-better-actor","status":"publish","type":"post","link":"https:\/\/scs-theatre.com\/index.php\/2024\/05\/23\/theatre-tips-hints-to-become-a-better-actor\/","title":{"rendered":"Theatre Tips &#038; Hints To Become A Better Actor"},"content":{"rendered":"<h1>Being Part of An Ensemble (from Beyond the Curtain on Substack):<\/h1>\n<div class=\"gmail_default\"><span style=\"font-size: large;\">&#8220;<\/span><span style=\"font-size: large;\">There are roles in theatre everyone recognizes. They\u2019re on the poster, their names are prominent in the program, and when people ask who someone is playing, these are usually the characters they\u2019re asking about<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">And then there\u2019s the ensemble.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">We think the ensemble may be one of the best places in theatre to learn how leadership actually works because it teaches something that becomes incredibly valuable later in life.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Being important and being the center of attention are not the same thing.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">A great ensemble can completely change a production. They create the world around the principal characters. They establish energy, atmosphere, movement, community, and often some of the most memorable moments in the show. Doing that well requires an enormous amount of individual responsibility.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Every person has to know the material and understand where they\u2019re supposed to be. One person deciding their part doesn\u2019t matter because nobody is specifically watching them affects everyone around them.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Your preparation isn\u2019t only about you.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">We tend to think of leadership as the person standing at the front of the room. Sometimes it is. But healthy organizations are also filled with people who know how to contribute when they aren\u2019t in charge. They know when to lead and when to support. They know how to make someone else\u2019s idea better instead of needing every idea to be theirs. They understand that doing their own job exceptionally well is part of helping everyone else succeed.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Theatre gives us a wonderfully visible version of this. If twenty people are dancing together and one person doesn\u2019t know the choreography, it changes the whole picture. If one performer misses an entrance, someone else may be standing onstage waiting for them. If part of the group hasn\u2019t learned the music, the entire sound changes.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">The opposite is also true. When everyone takes ownership of their part, all of those individual contributions combine into something no one person could create alone.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Ensemble work also teaches us that leadership moves. In one scene, you may have a featured moment. In the next, your responsibility may be to help direct the audience\u2019s attention toward someone else. There are moments when you step forward and moments when you intentionally create space for another person to do so.<\/span><\/div>\n<div dir=\"auto\"><span style=\"font-size: large;\">Not every good idea has to be ours, and not every accomplishment needs our name attached to it.<span class=\"gmail_default\">&#8220;<\/span><\/span><\/div>\n<h1>Warming Up Your Voice:<\/h1>\n<p><span style=\"font-weight: 400;\">A proper 10\u201320 minute vocal warm-up before rehearsal prevents strain and prepares your voice by increasing blood flow, relaxing tension, and engaging breath support<\/span><span style=\"font-weight: 400;\">. Start with body stretches, followed by gentle humming, lip trills, and Sirens (sliding from low to high pitch) to safely wake up the cords.\u00a0\u00a0<\/span><\/p>\n<p>Use this video to help:\u00a0<a href=\"https:\/\/youtu.be\/rYsuVwyGe-4?si=mS2WLdBr81O59nVL\">https:\/\/youtu.be\/rYsuVwyGe-4?si=mS2WLdBr81O59nVL<\/a><\/p>\n<p>************************************<\/p>\n<h1 style=\"text-align: center;\">ACTING TIPS<\/h1>\n<h3 style=\"text-align: center;\">from Victoria Ochoa<\/h3>\n<p style=\"text-align: center;\"><b>75% of acting is truly learning your character.\u00a0 Once you do this, you have the confidence needed to portray the role with the correct stage presence.<\/b><\/p>\n<ul>\n<li aria-level=\"1\"><b>INDEX CARDS<\/b><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Although we all learn in different ways, many of us use index cards to help us remember the lines.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Writing down the line before your own and then your lines on cards helps a lot of people visualize their lines.\u00a0 This is especially helpful when on stage rehearsing.\u00a0 If you forget the line you can visualize your cards and where that line came in and usually recall it.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Carry them everywhere with you.\u00a0 There are also lulls in the day when you can pull them out and work on them.\u00a0 Waiting rooms at doctor or dental offices are a great place to have them.\u00a0 Use them in the car when someone else is driving, etc.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><b>MEMORIZING<\/b><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The problem that most actors face is that they memorize instead of learn.\u00a0 If you just memorize your own lines and your stage partner gets stuck you are then not able to help out and we get that unnerving stage silence.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">After working on your own lines, I highly recommend learning those with whom you interact and then work on the whole play.\u00a0 This is accomplished much easier than you think.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Before bed each night, read the whole play.\u00a0 This cannot be stressed enough.\u00a0 When you do this, your memory will expand to not only your role, but you are able to help out when someone else gets stuck. That is learning the play and not just memorizing<\/span><\/li>\n<li aria-level=\"1\"><b>CORE ACTING PRINCIPLES<\/b><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Presence,\u00a0 Be fully in the moment of rehearsal<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Listening.\u00a0 Don&#8217;t just wait to talk, actively listen to what the other actors are saying.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Truthful action.\u00a0 Be true to your character.\u00a0 Establish what that role means to you and act on it.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Professional conduct .\u00a0 Always be on time and treat your other actors, crew and production team with respect.\u00a0 Do not over direct as that is not an actor&#8217;s job.\u00a0 Take constructive criticism\u00a0 when necessary.\u00a0 Do not talk during rehearsals.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Making bold choices.\u00a0 Allow your character to be free to express themselves.\u00a0 If the director does not like it they will let you know to try something else.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Know your character.\u00a0 It is very helpful to write a backstory about your role.\u00a0 Think of where this character might have been and what he or she might have accomplished in life.\u00a0 Use that story to round out whomever you are representing, not just playing.\u00a0 Use your imagination.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Master vocal and physical technique.\u00a0 Take advantage of the vocal exercises available on line to warm up your voice and get a rich full timbre.\u00a0 Think about how your character can move in any \u00a0 situation and use that to your advantage.for your blocking.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Be specific:\u00a0 Develop your character into the scene as you envision them.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><b>THE THREE C&#8217;s OF ACTING\u00a0<\/b><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Confidence.\u00a0 Trusting your ability to feel at ease with your role.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Charisma: Show everyone how charming or even villainous your character can be.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Craft commitment:\u00a0 Give yourself fully to your character.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><b>BELIEVE &amp; ENJOY<\/b><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Most of all, believe in yourself.\u00a0 If you were good enough at the audition to get the role, then someone else believed in you to carry it out.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Act fully and enjoy the part.<\/span><\/li>\n<\/ul>\n<p>*******************************************************************************************<\/p>\n<h1 style=\"text-align: center;\">PROJECT &#8211; ARTICULATE &#8211; BREATHE<\/h1>\n<p><span style=\"font-weight: 400;\">The voice is a vital tool for speaking actors. To succeed, actors must be heard and understood, so focusing on vocal projection and articulation is critical. It may take time to master these techniques, but it is possible with regular practice.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">To keep your voice healthy, be sure to warm up before doing any strenuous vocal work. If something you are doing while vocalizing hurts, then stop because it is probably doing damage. Take a break, check your body, breathe, warm up again if needed and see if it feels better.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Hydration is also essential to maintaining a healthy voice. Drink plenty of water, but avoid milk and alcohol when you are about to rehearse, perform or use your voice for long periods.<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">\u00a0Vocal projection means speaking to be heard, while articulation and enunciation refer to speaking clearly.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">An audience is more likely to connect with an audible and comprehensible performance.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Warming up the body and the breath is essential for preparing the voice.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Tension in the body can affect the quality of the voice.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">To find your resonance, use vocal warm-ups and practice projection by sending your voice across rooms of varying sizes.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Articulation refers to physically producing words, while diction and enunciation refer to how you speak them.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The body and breath are your foundation for healthy vocal projection, articulation and diction.<\/span><\/li>\n<\/ul>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">\u00a0<strong> TONGUE TWISTERS TO HELP<\/strong><\/span><\/p>\n<p><b>When one sly snake slid down the slide, the other sly snake slid up.<\/b><\/p>\n<p><b>When one pink porpoise popped up the pole, the other pink porpoise popped down.<\/b><\/p>\n<p><b>When one black bug bled blue-black blood, the other black bug bled blue.<\/b><\/p>\n<p><b>\u2014\u2014<\/b><\/p>\n<p><b>Theophilus Thiffle, the successful thistle sifter<\/b><\/p>\n<p><b>In sifting a sieve full of unsifted thistles<\/b><\/p>\n<p><b>Thrust three thousand thistles through the thick of his thumb<\/b><\/p>\n<p><b>If Theophilus Thiffle, the successful thistle sifter<\/b><\/p>\n<p><b>In sifting a sieve full of unsifted thistles<\/b><\/p>\n<p><b>Thrust three thousand thistles through the thick of his thumb<\/b><\/p>\n<p><b>Try thou not, in sifting a sieve full of unsifted thistles<\/b><\/p>\n<p><b>To thrust three thousand thistles through the thick of thy thumb<\/b><\/p>\n<p><b>\u2014\u2014<\/b><\/p>\n<p><b>Betty Botta bought some butter;<\/b><\/p>\n<p><b>\u201cBut,\u201d said she, \u201cthis butter\u2019s bitter!<\/b><\/p>\n<p><b>If I put it in my batter<\/b><\/p>\n<p><b>It will make my batter bitter.<\/b><\/p>\n<p><b>But a bit o\u2019 better butter<\/b><\/p>\n<p><b>Will but make my batter better.\u201d<\/b><\/p>\n<p><b>Then she bought a bit o\u2019 butter<\/b><\/p>\n<p><b>Better than the bitter butter,<\/b><\/p>\n<p><b>Made her bitter batter better.<\/b><\/p>\n<p><b>So \u2019twas better Betty Botta<\/b><\/p>\n<p><b>Bought a bit o\u2019 better butter.<\/b><\/p>\n<p>&nbsp;<\/p>\n<h1><strong><em><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-3454\" src=\"https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Memorize-image.png\" alt=\"\" width=\"217\" height=\"163\" \/>\u00a0 \u00a0 \u00a0 \u00a0 LINE Memorization<\/em><\/strong><\/h1>\n<h3>Everyone struggles at times with memorizing your lines.\u00a0 Getting together with cast members outside of rehearsal is fun &#8211; meet for coffee somewhere and converse!<\/h3>\n<h3>Another Option is to download an app for your phone.\u00a0 Apple has RUN LINES WITH ME.<\/h3>\n<h3>Android users can get SCRIPT REHEARSER\u00a0 &amp; LineLearn SelfTape\/Teleprompt &#8211; Both on the Google Play store.<\/h3>\n<h3>I have not personally used either app, but I read many positive reviews online &#8211; these are good options without having to pay a subscription fee.<\/h3>\n<p>)))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))<\/p>\n<h1><em><b>Creating a Character<\/b><\/em><\/h1>\n<p><b>Read the script multiple times<\/b><b> &#8211; <\/b><span style=\"font-weight: 400;\">this is the foundation to of your character\u00a0<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What the stage directions say about your character<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Your character\u2019s lines \u2013 what they say about you<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Pay close attention to your character\u2019s relationships with other characters<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Look for clues that reveal your character\u2019s traits, background, and motivations<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Does your character go through a transformational arc &#8211; their emotional\/psychological development. Find the moments in the script where these happen so you can consistently portray those changes near the same time every performance\u00a0<\/span><\/li>\n<\/ul>\n<p><b>Do your research <\/b><span style=\"font-weight: 400;\">\u2013 these details will help shape your character\u2019s behavior<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What year and where is the play set &#8211; If a period piece, what is dominating the news\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What is the economical status of your character and why\/how would that effect the way they interact with the other characters<\/span><\/li>\n<\/ul>\n<p><b>Using your imagination to fill in the gaps that are not mentioned in the script\u2026<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What age is your character, sexual orientation, religious beliefs<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Does your character have a job<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Do they have physical or emotional impediments\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What drives them<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What were their parents like, family life<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What animal\/object traits are similar to your character\u00a0<\/span><\/li>\n<\/ul>\n<p><b>Physicality and voice qualities <\/b><b>\u2013 <\/b><span style=\"font-weight: 400;\">The way a character speaks and uses their body reveals their personality this helps the audience understand them without relying on dialogue<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Experiment with posture, movement, and gestures\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Do they have any distinctive physical traits\/handicaps?\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Develop a unique voice for your character \u2013 regional accents or a speech impediment<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Experiment with the pitch, tone, or pace of your speech<\/span><\/li>\n<\/ul>\n<p><b>The importance of rehearsals<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Have a discussion with your director \u2013 let him\/her know you will be experimenting and would appreciate their feedback.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Work on physicality and voices at home as you learn your lines \u2013 then try the most successful at rehearsals<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Collaboration with your fellow actors \u2013 as they develop their characters, does that change what you have been working on<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Use your make-up design, costumes and props to congeal your choices<\/span><\/li>\n<\/ul>\n<p><b>Preparing for a performance\u00a0<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Think of one or a few words, or animal that encapsulates your character<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Just before you go on, find a space where your alone. Breathe deeply and think about those words (or animal, etc.)\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Use sense memories when you have an especially emotional scene<\/span><\/li>\n<\/ul>\n<p><b>Final thoughts<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Creating a compelling character is an art that requires careful crafting, <\/span><a href=\"https:\/\/iampro.com\/our-courses\/on-demand\/\"><span style=\"font-weight: 400;\">learning<\/span><\/a><span style=\"font-weight: 400;\"> and attention to detail.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Be willing to take risks &#8211; the more you invest in your craft, the richer your characters will become<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Authenticity is key. Stay true to the character you have developed, while also allowing room for growth and spontaneity during each performance. Trust your instincts and let your character evolve organically on stage.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Character development different when cast in a comedy or drama?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Emotional memory is <\/span><b>when the actor finds a real past experience where they felt a similar emotion to that demanded by the role they are playing<\/b><span style=\"font-weight: 400;\">. They then &#8216;borrow&#8217; those feelings to bring the role to life.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Emotional recall&#8221; is the basis for method acting.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Sense memory&#8221; is used to refer to the recall of physical sensations surrounding emotional events (instead of the emotions themselves) through a structured process based on a series of exercises.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sensory memory is <\/span><b>a mental representation of how environmental events look, sound, feel, smell and taste<\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div><b><u><span style=\"color: #202122; font-family: sans-serif;\">Uta Hagen\u2019s 9 Questions for Character Development\u00a0<\/span><\/u><\/b><\/div>\n<div><b><u><span style=\"color: #202122; font-family: sans-serif;\">\u00a0<\/span><\/u><\/b><\/div>\n<div><b>1) Who am I?<\/b><\/div>\n<div><b>2) Where am I?<\/b><\/div>\n<div><b>3) When am I?<\/b><\/div>\n<div><b>4) What are my circumstances?<\/b><\/div>\n<div><b>5) What are my surroundings?<\/b><\/div>\n<div><b>6) What are my relationships to the people\/places\/things around me?<\/b><\/div>\n<div><b>7) What do I want? \u00a0(This can be short-term, long-term, or even change over time)<\/b><\/div>\n<div><span style=\"color: #202122; font-family: sans-serif;\"><b>8) What obstacles stand in my way?<\/b><\/span><\/div>\n<div><span style=\"color: #202122; font-family: sans-serif;\"><b>9) What am I willing to do to overcome those obstacles?<\/b><\/span><\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4287\" src=\"https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Stage-Directions-300x271.jpg\" alt=\"\" width=\"444\" height=\"401\" srcset=\"https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Stage-Directions-300x271.jpg 300w, https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Stage-Directions-1024x923.jpg 1024w, https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Stage-Directions-768x693.jpg 768w, https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/Stage-Directions.jpg 1080w\" sizes=\"auto, (max-width: 444px) 100vw, 444px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Being Part of An Ensemble (from Beyond the Curtain on Substack): &#8220;There are roles in theatre everyone recognizes. They\u2019re on the poster, their names are prominent in the program, and when people ask who someone is playing, these are usually the characters they\u2019re asking about And then there\u2019s the ensemble. We think the ensemble may [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4898,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-3409","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-posts"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/scs-theatre.com\/wp-content\/uploads\/2024\/05\/acting-tips.jpg","_links":{"self":[{"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/posts\/3409","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/comments?post=3409"}],"version-history":[{"count":10,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/posts\/3409\/revisions"}],"predecessor-version":[{"id":5015,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/posts\/3409\/revisions\/5015"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/media\/4898"}],"wp:attachment":[{"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/media?parent=3409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/categories?post=3409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/scs-theatre.com\/index.php\/wp-json\/wp\/v2\/tags?post=3409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}